Seems like most Saturday mornings these days have become tribute sessions in my home.
I do the same thing pretty well every Saturday. I’ll head out the door near 10 and walk the short distance to Hampton shops where I’ll do the bulk of my weekly shopping – groceries, bread, and the few meat veggies I haven’t previously bought at Vic Market. I’ll come home, unpack my groceries and clean the kitchen while I listen to music through my Apple TV.
Lately, I’ve been returning home and playing the music of recently deceased musicians. A couple of months back I played the music of Soundgarden and Chris Cornell back to back. A few weeks back it was Linkin Park’s turn after the death of Chester Bennington. After hearing of his death yesterday I’ve played the select few songs of Glen Campbell this morning.
I don’t have a lot of songs by Campbell, but they’re great songs. Wichita Lineman has to be one of the most poignant and evocative songs of all time. He has such an easy voice that yet expresses the yearning the song expresses. Beneath it is the strumming of the guitar that sets the pace of the song and somehow allows you to picture the windswept, lonely plains the song evokes. This is in my top 50 songs, and this an ideal version (though the Clouds did a great cover about 20 years ago).
The other song I have of his is Galveston. To me, this has a similar quality. I don’t know if I imagine it, but I always picture a man about to go off to war and an uncertain future and looking back towards his hometown, and the sweetheart he has there. He sings with a melancholy hope that he may yet get back to what he realises he really loves. We never find out if he does.
See, that’s the power of the music. The words of the song suggest the tale but don’t tell it, yet the combination of voice and music and tone create that sense. That’s how we come to love music, how it plays to our memories and inspires our imagination, our longing, our own sense of wonder and belief.
Both these songs are Jimmy Webb classics. He must be one of the most prolific and successful songwriters of all time.
These are the only two songs I have of Campbell, though I have a wider appreciation of him. I was never a fan of Rhinestone Cowboy, but I might have had Where’s the Playground, Susie? on my playlist.
The deaths of musicians and actors and those others who have regularly featured in our life always make us reflect. It’s like a little bit of your own history gets buried with them. When you get to my age you begin to see the long trail. Glen Campbell was 81, and from an era earlier than mine, but I felt it keenly when Chris Cornell died at the same age I am now.
One memory that popped into my head yesterday was curious. I had a random recollection of flicking through my bohemian aunt’s record collection sometime in the eighties and coming across an album by Glen Campbell. I must have paused. I knew some of his songs, and his smiling, handsome face was familiar to me, if only by viewing True Grit.
My aunt will be dead near 15 years come next year, but memories like this remind you that other lives have come before. Whatever trials I experience, or you, whatever joys or whatever simple pleasures we experience others have experienced before. We hold it close to ourselves, but it’s common experience in different guises, generation after generation.
Once my aunt must have picked up that album and thought to buy it. She worked, she played, possibly she loved. She was a woman of strong opinion and independent ways, affectionate and adoring to us as children. She must have played that album looking out over the harbour from her apartment in Watsons Bay, which is when I would have found it.
It wasn’t there years later after her death when I packed up her house. What happened to that album? I don’t know. She went on for a while, and then she didn’t, and all she had was scattered to the winds. But I remember.